FT-101. What did you do with that? Did you add a Franklin oscillator
circuit and simply use the capacitor in the FT-101 box?
FT-101's VFO as an L/C box.
Serving the worldwide community of radio-electronic homebrewers. Providing blog support to the SolderSmoke podcast: http://soldersmoke.com
It has been a long time since we saw anything like the X-ray machine described in CL Stong's classic book "The Amateur Scientist." Here are some other SolderSmoke blog posts about this (and related) stuff: https://soldersmoke.blogspot.com/search?q=X-Ray
This one comes to us from the fertile workshop of Mikel Pavleski in North Macedonia. We have covered his work before.
This device is built around an old DY-86 tube from an old black and white TV. Mikel describes a very simple test to determine if these tubes have leaked, or if they still have good vacuum.
Mikel uses a really scary high voltage power supply.
I like the FN-RISI radiation detector. Want one!
Note that Mikel used a remote turn-on when using this machine. I hope there are no people in the apartment next door! He does use a lead shield, but only on three of the four sides.
The use of dental X-Ray film was really cool. The development of this film in Mikel's lab reminded me of my developing of 35 mm film in a dark room I had set up in our downstairs bathroom. I couldn't afford an enlarger.
Mikel warns that you should not try this at home! Good advice!
Thanks to Mikel, and to Hack-A-Day for alerting us to this project.
I know there are readers who object to anything produced using AI. This video is in that category. But those who object would presumably have accepted the videos or other content found through the use of a search engine, right? Perhaps those who object to this kind of material should just turn off their computers, wait for the next delivery of QST or 73 Magazine (!) and hope that no AI tools were used in their production. Also, I would point our that reading this blog is entirely optional.
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Comments from Andri:
I am just a newbie and not a ham radio operator, so I don't have a callsign. I do enjoy building electronic things though even though I have no background in electrical engineering.
It was a nice rewarding experience building this receiver. The challenging part was sourcing some parts which are hard to come by here in Indonesia such as the toroid cores, JFET and audio transformer. So I substituted FT50-6 with FT50-2, T50-43 with ferrite core for SMPS, and I use an SMD JFET instead.
Thank you very much for the detailed instructions on how to build this radio. Without them I would be lost. Ham radio has always been intriguing to me, but I never got into it because it is a prohibitive hobby.
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Bandung Wiki: https://en.wikipedia.org/wiki/Bandung
RX built in Bandung Indonesia -- Andri used an AF transtormer from an old Japanese receiver.
Why have NO receivers been built in Japan? And none in China. Only one in all of Latin America. Not one in all of Africa.
Please let us know if you spot any errors, or if we have inadvertently missed anyone. Don't worry about being late to the game -- the challenge continues. All of the info is still available.
It is Saturday morning, 0500 EDT. I am tuned to 3885 kHz, listening to the Old Military Radio Net. It is on 3885 kHz. Why this frequency?
Wikipedia: https://en.wikipedia.org/wiki/SCR-536
Gemini explains:
The frequency 3885 kHz is inextricably tied to one of the most iconic military radios of World War II: the BC-611 Handie-Talkie (part of the SCR-536 radio set).
Manufactured by Galvin Manufacturing Corporation (which later became Motorola), the BC-611 was the world’s first ubiquitous handheld, two-way AM transceiver. It was the "walkie-talkie" you see clamped to the ears of infantrymen in every classic WWII movie.
The technical marriage between this specific radio and 3885 kHz came down to how the military deployed them and what happened immediately after the war:
The BC-611 could operate anywhere from 3.5 to 6.0 MHz by swapping out internal plug-in coils and quartz crystals. Because the U.S. government temporarily shut down all civilian amateur radio operations "for the duration" of WWII, the military freely assigned tactical frequencies right inside what used to be the ham bands.
For company and platoon-level communications, 3885 kHz became a standard assigned military channel.
When WWII ended, the military had hundreds of thousands of BC-611 units, along with mountains of spare FT-243 crystal units, sitting in warehouses. The government liquidated them to the civilian market for pennies on the dollar.
Hams returning from the war snapped them up. Because these units were strictly crystal-controlled (you couldn't just spin a dial to change frequency), you were locked onto whatever crystal was inside.
Even though a BC-611 only pushed out a fraction of a watt of AM power (using a tube filament battery and a 108-volt B+ battery), hams quickly realized that if they gathered on 3885 kHz, they could hear each other locally.
That specific frequency choice was entirely forged in the surplus markets of 1945 and 1946. Eighty years later, the tradition is so deeply ingrained that military radio collectors and vintage AM operators still hold a massive, synchronized check-in on 3885 kHz every year during the Dayton Hamvention weekend.
In NTSC analog color television, the 3.579545 MHz crystal was the heartbeat of the entire color decoding system. Its primary job was to act as the ultra-precise frequency and phase reference needed to recreate the colors you saw on the screen.
To understand why it was used, you have to look at how color television was engineered to be backward-compatible with older black-and-white sets.
When the NTSC standard was developed in 1953, engineers had to squeeze color information into the existing, crowded black-and-white television channels without causing interference.
To do this, they decided to transmit color using a color subcarrier centered precisely at 3.579545 MHz.
Luminance (the black-and-white brightness detail) was sent normally.
Chrominance (the actual color information) was modulated onto this 3.579 MHz subcarrier.
The color signal used Quadrature Amplitude Modulation (QAM). In QAM, the amplitude of the 3.579 MHz wave determined the saturation (how vivid the color was), and the phase angle of the wave determined the hue (whether the color was red, green, blue, or yellow).
To prevent the 3.579 MHz color signal from creating distracting, wavy line patterns on older black-and-white TV screens, the carrier wave itself was suppressed (removed) before transmission. Only the "sidebands" (the actual color data) were sent over the air.
Because the carrier was suppressed, the TV receiver had to completely recreate that 3.579545 MHz wave locally to decode the color.
If the TV's locally generated wave was off by even a tiny fraction of a degree in phase, the colors would shift wildly—faces would turn green, and skies would turn purple. This is where the 3.579545 MHz crystal came in.
Because the transmitter and the television set had to be perfectly synchronized, the TV station sent a tiny, brief reference sample of the original carrier wave at the start of every single horizontal line on the screen. This was called the color burst.
The color burst was a short packet of just 8 to 9 cycles of the 3.579545 MHz wave.
It was placed on the "back porch" of the horizontal blanking pulse, immediately after the horizontal sync pulse.
Inside the television, the 3.579545 MHz quartz crystal was the heart of a local crystal oscillator circuit. When those 8 to 9 cycles of the color burst arrived at the beginning of a line, a Phase-Locked Loop (PLL) or injection-locking circuit compared the incoming burst to the TV's local crystal oscillator. It adjusted the local oscillator's phase to match the burst perfectly.
Once locked, the crystal oscillator kept ringing cleanly and steadily across the rest of the 63.5-microsecond horizontal scan line, giving the TV a flawless phase reference to demodulate the red, green, and blue color components from the video signal.
Because millions of color TV sets were manufactured every year, factories produced these highly precise 3.579545 MHz crystals in astronomical quantities.
This mass production made them the cheapest, most widely available crystals on the surplus market. Consequently, generations of engineers and radio amateurs adopted them for unrelated projects—such as building QRP transmitters (often on the 80-meter band, where the second harmonic of 3.579 MHz sits nicely at 7.159 MHz), clocking early microprocessors, or generating telephone DTMF touch-tones.
Historically, amateur radio operators wanted a way to receive and transmit on the 2-meter band (144–146 MHz) using their highly sensitive, existing 20-meter HF receivers (14 MHz) as a tunable Intermediate Frequency (IF).
To mix a 144 MHz signal down to a 14 MHz IF, you need a highly stable 130 MHz local oscillator (LO):
Creating a stable, fundamental-frequency quartz crystal at 130 MHz was physically impossible for decades because the quartz wafer would have to be sliced microscopically thin and would easily shatter.
Instead, designers utilized a robust, lower-frequency third-overtone crystal operating at 43.333 MHz. When you multiply 43.333 MHz by three in a simple tripler stage, you get exactly the 130 MHz LO signal needed:
Because the 2m-to-20m conversion was the gold standard for VHF operation in the 1960s, 70s, and 80s, these crystals were mass-produced. They were the heart of legendary gear like the Drake SC-2 receiver converter and dozens of homebrew transverter designs featured in the ARRL Handbook and 73 Magazine.
If a ham wanted to monitor the popular 146.94 MHz repeater frequency of the era, they would use a 2-meter converter with this exact crystal, allowing them to tune their HF dial to precisely 16.94 MHz.
Additionally, 43.333 MHz has convenient harmonics for other bands. For instance, multiplying it by 10 yields 433.33 MHz, which sits perfectly inside the 70-centimeter amateur band and the widely used 433 MHz ISM band (common for low-power key fobs, weather stations, and remote controls).
Whenever you see a strangely specific, non-integer crystal frequency like 43.333 MHz, 38.667 MHz (used for 2m to 10m conversions), or the famous 3.579545 MHz color burst crystal, there is almost always a legacy of mass-production and clever math behind it!