Here is short clip of a very cool HB2HB contact on 17 meters. Thanks Jens!
Check out his QRZ page here: https://www.qrz.com/db/DL2RMM
Serving the worldwide community of radio-electronic homebrewers. Providing blog support to the SolderSmoke podcast: http://soldersmoke.com
Here is short clip of a very cool HB2HB contact on 17 meters. Thanks Jens!
Check out his QRZ page here: https://www.qrz.com/db/DL2RMM
I was especially worried about the output from my 17-12 rig. The IF is at 21.4 MHz. The VFO runs around 3.5 MHz. So if you add the IF and the carrier oscillator signal you get to 12 meters. If you subtract them you get to 17 meters. But you need some good bandpass filtering to sufficiently knock down the unwanted output from the mixer. And the BP filter should be sufficiently narrow to take out any remnants of the carrier oscillator signal. I had taken the easy way out and had used simple dual-tuned-circuit (DTC) filters. I started to wonder if these simple BP filters would be enough to knock down the 12 meter signal while on 17 and the 17 meter signal while on 12. I pulled out my NanoVNA to look at the passbands:
Here is what the 17 meter DTC filter passband looked like. The cursor is at 29.6 MHz and you can see that near the 12 meter band it is only providing about 21 db of attenuation. That is not enough.
Then Farhan commented on Martien's filters, noting that they are all in the "LSB" configuration. You can see from the charts below how they would be really good when you are trying to use the "difference" output from your mixer while knocking down the sum output, but not vice versa. So I built new USB filters for 12 meters, and for 10 meters in my nee 15-10 rig. I got better results on the two "sum" bands in my rigs (10 and 12 meters)
Before I built Martein's filter, my bandpass had been inadequate. Looking at the signals coming out of the diode ring mixer in my 15-10 rig, I realized that when I was on 15, there would also be an output on 10. And vice-versa. These outputs would have to be knocked down by the bandpass filters. I had been using simple dual tuned circuit filters. But when I looked at the filter shapes of these filters in NanoVNA, I could see that On 15 the 10 meter signal was only down about 20 db. And on 10 the 15 MHz output was also down only by about 20 db. That's not enough. Take a look:
This has been one of the major complaints about our beloved analog LC VFOs: The frequency tuning on these circuits is often not linear. For given amount of VFO frequency dial turn you can get vastly different changes in frequency. At one end of the tuning range the frequencies are nicely spaced and tuning is easy. But at the other end of the tuning range all of the frequencies are bunched together. This is one of the problems that leads some homebrewers to defect to the sad land of "digital VFOs."
But wait. It appears that the old designers found a solution to this problem. Just look at the tuning dial of my HT-37. The frequencies are all spaced out evenly. How did they do that?
I had been thinking that this success may have resulted from Hallicrafters' engineers using the series-tuned Clapp circuit. Here the main frequency determining element is a series-tuned LC circuit and not the parallel tuned LC circuit that we see in the more commonly used Colpitts circuit.
But hold on -- how could that be? The frequency bunching problem that we attributed to the Colpitts circuit must also exist in the Clapp, right? I went back to SSDRA where there was a good discussion of Colpitts and Clapp VFOs. The advantage of the Clapp was said to be in its use of a larger value coil which helped minimize the effects of stray inductances. But there was no mention of the Clapp offering improved linearity in tuning.
I have in front of me two transceivers: The Mythbuster uses a 9 MHz Clapp circuit (see below). The 17-12 rig uses a Colpitts Circuit. I checked the tuning linearity of both. Both appeared quite linear in tuning, with no real difference between the two.
Then I looked at the tuning capacitor in the Mythbuster 17-12 rig. It came out of an old Hallicrafters transmitter, probably the HT-44. I looked closely at the stator and the rotor plates. Both are curved. I'm guessing that this may yield a more constant change in capacitance for a given movement of the main tuning dial.
Next I opened up the VFO on the Mythbuster. (It is the VFO from an old Yaesu FT-101.) I couldn't see the stators very well but it appears that their shape is different from the square shape we often see in variable capacitors. Could it be that this variable capacitor was also made to provide linear tuning?
Back in 2013 Norm Johnson wrote about all this in the Antique Radios.com forum:
A capacitor that has uniform increase in capacitance with rotation will have the stations at the high end of the band squeezed together. Another type known as the straight-line frequency variable capacitor has, as you might guess, a characteristic that gives even spacing of frequencies with shaft rotation. These were popular in the 1920's but weren't very good for superhets where you needed to have a dual section capacitor that would tune both the RF and local oscillator, and have them track each other properly. The midline variable capacitor is more compatible with a superhet, and easier to make both sections track properly. This is the type that you see in most receivers from the late 1930's to the end of the tube era. They don't have quite the equal spacing between stations across the band that the old straight-line frequency caps had, but they're much better than the variables that change capacitance linearly with rotation.
I wrote an online calculator that helps in the design of the tuning. It shows what frequency range you'll get with a specific type of variable capacitor, including the effects of padder and trimmer capacitors. It also displays a dial scale that shows how the frequencies are lined up accross the dial.
http://electronbunker.ca/eb/BandspreadCalc.html
Steve W6SSP also provided some really good info back in 2013:
There are three types of open, variable plate caps;
SLC= straight line capacitance where the capacitance varies linearly,
these are the most common and have half-circle plates
SLF= straight line frequency where the plates are tapered to allow
for linear tuning of the frequency
SLW= straight line wavelength, you get the idea...
SLF and SLW caps have oblong plates.
The effect on tuning a receiver can be dramatic. One example is the
Hammarlund SP series of receivers where the ham bands are very
compressed at one end of the tuning range. They used SLC caps
in the VFO. On the other hand rigs like the Kenwood TS-520
and FT-101 series have linear tuning across each band. These use
SLF variable caps. Most old 1920's battery radios used SLW
where stations were identified by their wavelength.
Steve W6SSP
I looked at the tuning dials on my Hammarlund HQ-100 receiver. It is fairly linear in its tuning, but not as linear as the HT-37 or the Drake 2-B; on all of the tuning ranges the frequencies seem to spread out a bit at the lower end. My guess is that Hammarlund used the midline variable described above by Norm Johnson. The HQ-100 did use a ganged variable cap, with one section tuning the RF amplifier and the other tuning the local oscillator.
SolderSmoke podcast #237 is available: http://soldersmoke.com/soldersmoke237.mp3
Travelogue -- New York City! Stickers!
And about that trip to Los Angeles for the SolderSmoke Cable TV show...
Well, it fit in well with SolderSmoke's UNFORGETTABLE appearance on the Oprah book club.
And TechieTatts? Daughter worried about listeners rushing to get tattoos -- A risk we were willing to take.
https://in.pinterest.com/padmakumar10/techie-tatts/
This episode is sponsored by PartsCandy. GREAT test leads: https://www.ebay.com/usr/partscandy
Bill's Bench
Tracking down Johnny Anderson's 1939 or 1940 homebrew TV receiver.
https://soldersmoke.blogspot.com/search?q=Anderson
Working with Joh DL6ID.
Jean Shepherd's January 1973 description.
FlickLives web site and Steve Glazer W2SG have lots of info on Shep and his friends.
Internet allows us to look at TV articles that were being published.
We've concluded: Probably 1939 or 1940, using an RCA 913 1 inch CRT tube.
Lots of ideas from IRE Journal, QST, and Gernsback magazines.
Quite an achievement! Amazing how much pre-war TV progress there was.
17-12 rig
All boxed up and working DX!
Figured out how to display both 17 and 12 on the same LED. https://www.youtube.com/watch?
Drain protector for speaker cover. Copper tape to cover horrible cabinet making.
I think I need a Hex Beam.
Hammarlund HQ-100
Needed some maintenance.
I started to look more closely at it.
Got the Q-Multiplier to work -- it really adds a lot on CW.
Makes me feel guilty about all the QF-1s...
Using the 100kc calibrator with a 455 kc crystal as a BFO,
keeping Q multiplier below oscillation point.
Moved the BFO switch to the front panel. Helps a lot.
Need to fix the S-meter AVC circuitry.
Much more sturdy than the S-38E.
S-38E 1957-61 $54.95 5 tubes. AC/DC.
HQ-100 1956-60 $169 10 or 11 tubes. Power supply, regulator.
You get what you pay for.
Pete's Bench
Jack Purdum and Al Peter's new SDR rig and book (featured on the SS blog Amazon ad).
JF3HZB's beautiful digi VFO.
Backpack antenna for Field Day?
Pipsqueak Disaster -- Too simple?
Peashooter Eye Candy.
Build Something Different.
MAILBAG
James W0JKG CBLA -- Others are building MMM too!
SM4WWG // Jörgen Wonderful message. Joined GQRP. No longer "wrong."
Dennis WC8C Libraries for Max2870 board.
Jack NG2E Progress on the Right to Repair movement.
Jim K9JM Someone cutting into our business with Solder candles!
Chuck WB9KZY Correctly identified the location of the IBEW sticker. As did Dan Random.
Dave Bamford (who lives nearby) suitably impressed.
Farhan wrote to us about a video on Don Lancaster. Homebrew keyboards! Yea!
Dean KK4DAS QRP to the Field. HB2HB 40 SSB QRP I feel virtuous.
Todd K7TFC likes my ingenious use of the drain screen as the speaker protector on the 17-12 rig.
Todd had good thoughts on granular approach to homebrewing as seen in the Don Lancaster video.
Lex PH2LB HORRIFIED by my reverse polarity protection circuit. This is a touchy subject! (as is WD-40!)
Rogier PA1ZZ sending great info on SWL and numbers stations.
Jesse N5JHH -- The guy who made the IBEW stickers -- Liked the NYC stickers.
Steve N8NM has a new antenna article on his blog: https://n8nmsteve.blogspot.
Randy AB9GO Agrees -- Can't GIVE old 'scopes away.
Dino SV1IRG Liked the 17-12 rig videos.
Steve Hartley G0FUW Murphy's Law of Enclosures.
Ralph AB1OP FB on the 17-12 Rig.
Roberto XE1GXG --Our correspondent in Guadalajara. Petulant, irritable people on the computer scene.
Have some gear looking for a good home: Tek 465 'scope from Jim AL7R W8NSA. SBE Transceivers. Windsor Signal Generator. Let me know if you are interested and can either pick up or arrange shipping.
SolderSmoke Podcast #236 is available!
http://soldersmoke.com/soldersmoke236.mp3
Winterfest! Many Boatanchors. Lots of old good analog test gear. Talk with Dean KK4DAS. Met up with Armand WA1UQO and Charles AI4OT.
There is a LOT of soul in this new rig. Here is a partial list of contributors:
-- Overall BITX design: Farhan VU2ESE
-- Termination Insensitive Amplifiers (TIA): Wes Hayward W7ZOI and Bob Kopski K3NHI.
-- TIA boards from Todd K7TFC
-- ASK-1 Mixer from Armand WA1UQO
-- VFO design parameters from Joe Carr K4IPV (SK)
-- VFO stability ideas from Frank Harris K0IYE and Mike Murphy WU2D.
-- HT-37 Tuning Capacitor bought from e-bay at suggestion of Pete Juliano N6QW.
-- Pine board base of the rig: Frank Jones (SK) W6AJF's preferred building technique.
-- DTC Band-Pass filter circuits from Han Summers G0UPL.
-- Low pass filter values from G-QRP web site.
-- Idea of using RD06HHT instead of IRF-510 in the final: Pete Juliano
-- Heat sink from Chris KD4PBJ
-- Trifilar Toroids used in many places from Farhan VU2ESE.
Thanks to all. 73 Bill